A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Time and sexuality, neither is one-dimensional, neither is neat and both have a way of being always in a state of movement, whether we like it or not, flow with it or not.
What is fiction? Is it born of reality? Or does it birth reality, reflecting it back at me until I see the things I do not see? Until I find the person that is me? Until I dance my horse dance under moon, under stars, in a room full of people who like horse dancing just as much as they like the swirly skirt and the pot-bellied person doing the Bhangra.
He is the founder of a number of support organisations that focus on sexuality and disability issues at the grassroots. Over multiple conversations conducted in Hindi and English, Kiran and Shikha Aleya discussed issues of sexuality, access and disability based on some of Kiran’s life experiences.
Accessibility begins with access, enabled or denied, to concepts and ideas. At the core, beyond the architecture of the real and virtual worlds, it is about the architecture of the ways in which this access is broadened, to not only accommodate, but to nurture, the myriad expressions of human minds and bodies.
In this issue of In Plainspeak, we interview Pawan Dhall, Founding Trustee of Varta Trust, queer activist, writer and social researcher. He is also the editor of the Varta webzine, promoting and sustaining dialogue on gender and sexuality, across diverse groups of people. As Pawan says, “We are all strung together on a spectrum of gender and sexuality, and we don’t have to be fixed at a single point on the spectrum throughout our lives.”
Anja speaks with Shikha Aleya about the spread of digital surveillance into almost every aspect of our lives, its implications and what we need to do about it.
As soon as you add sexuality to a piece about money, the first instinct generally is to reduce it all to sex, leaving the “-uality” like a little invisible tail feather that flutters away into the unknown.
The concept of boundaries has become mixed up with the concept of being bound in a this-far-and-no-further way. They have become enclosures, aquariums, cages built for those who inhabit them, but not necessarily built by them.
Tolerance and space for another who is not like oneself is important. Without such tolerance and space we risk becoming perpetrators of injustice, forcing everybody into a mold that is not their shape.
Not everybody, everywhere, learns self-care, though most people learn how to wash their faces, brush their teeth, wear clean underwear, and lock the door to keep themselves safe.
There are a number of different ways to approach this theme, Films and Sexuality. One way is through the eyes of the popcorn-eating, samosa-chomping, money-paying audience member who chooses to see or not see a film, who likes or dislikes it, who makes the film a box-office hit, or pans it.
People’s movements and sexuality. There is dissonance in this. Hugging trees, protesting dams, Swadeshi and boycott, anti-apartheid, anti-psychiatry, anti-war, child rights, flags, banners and marches. What does hugging a tree have to do with sexuality? Women’s rights, gay pride, these movements are people’s movements quite regularly seen in the frame and context of sexuality. But the others?