Srishti Gupta
‘A Promise to Stand By’: The quiet feminism of Nathicharami
Nathicharami takes sexuality and sexual desire away from upper-class, Gucci-clad women and makes its viewers acknowledge its existence in the lives of women (middle-class wives and widows, in the case of this film) who are invisibilised, both in the society they live in and as subjects of popular content.
By Srishti Gupta
महिलाएं और सादा नारीवाद – फ़ोर मोर शॉट्स प्लीज़ शो की समीक्षा!
हालांकि यह शो किसी भी तरह से अचूक या सर्वोत्तम नहीं है, लेकिन यह सही तरीके से यौनिकता, कल्पना और यौन अभिव्यक्ति के तत्वों के अंतर्संबंधों को मुख्य कथानक बिंदुओं के रूप में जोड़ता है।
By Srishti Gupta
The Falsity of ‘Happily-Ever-Afters’: Examining Coupledom in ‘Lust Stories’
The anthology’s pull rests in its sincere and frank portrayal of male and female desires cutting across the divides of age, sexuality, and socioeconomic position. In terms of romance, the idealistic, till-death-do-us-part fantasy peddled by our movies and mainstream literature has been replaced by a realistic portrayal of modern relationships.
By Srishti Gupta
Of “unapologetically flawed” women and feminism-lite: A review of Four More Shots Please!
Four More Shots Please! moves in the right direction when it comes to women (of a particular social stratum), their lives, and feminism at large – even if it takes small, stumbling, baby steps towards it.
By Srishti Gupta
Masculinity, queer representation, and the motifs of movement in ‘Dedh Ishqiya’
The film has all the makings and trimmings of a commercial thriller – a dynamic story, song and dance, an action-packed climax – and at the same time, it is a cinephile’s film.
By Srishti Gupta
A ‘Room’ of One’s Own – Sexuality, Self-expression, and Safe Spaces on Clubhouse
In theory, the concept of the app is a great one – it provides women, queer people, and people belonging to oppressed castes the tea-stall, cigarette-shop type of public spaces for conversation that are available to upper-caste cis het men. The relative anonymity acts like a safe cover, and the app affords a certain autonomy and agency to marginalised people to regulate the kind of conversation that goes on in rooms moderated by them.
By Srishti Gupta