A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Through multiple maquettes, I finally came across (since I myself did not know what the result of the form or figure would be) the Reclining Lady. She represents confident femininity and vulnerability. The feeling one has after taking a bath and sitting in the nude, drying oneself in unabashed nakedness.
As we move toward destigmatising the topic of sex for all genders, we should include the language of intimacy as we collectively create a new cultural grammar around sex.
Emma Watson spoke to British Vogue about the incredible amounts of stress and anxiety that follows, “…if you have not built a home, if you do not have a husband, if you do not have a baby, and you are turning 30, and you’re not in some incredibly secure, stable place in your career, or you’re still figuring things out…”
Both rejections and affirmations of the couple are skewered on this doubleness: It is the fullest expression of love and proximity available to us, and it bears all the insufficiencies of present social relations. Monogamous romantic commitment, like infallible lifelong attraction to only men or only women, is surely a minority tendency expediently elevated to a general social principle.
How we treat each other in our daily lives informs our feminist praxis. How we fail each other in our daily lives through the use of unkind language, dismissal of mental illnesses, making fun of one’s own choices, disrespecting personal boundaries (and so on), also counter our feminist praxis.
For so long, private has meant a place that I was forced to create, claim and carve out to hide away from the public violence. And if I’ve been allowed to further wallow in it then I don’t want to – thank you very much.
Using silent actions and secret fulfillment of what society considers as sin and the law condemns as illegal, the text offers an example of the silence of resistance.
Aranyani’s writing most certainly has a sensory charm and no two people are going to experience her narration the same way. I wish you a happy and gloriously gay reading of this fleshy collection of erotic stories!
Law is often violent – it incarcerates, shames our so-called deviance, and classifies who is worthy and not worthy of gaining access to rights and what kind of rights can be ceded at a particular moment. Yet, we believe we can change the law, make it sensitive to our existence