A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
It is the winter of 2013, and my father and I are sitting at an awkward distance from each other on the living room couch, our eyes trained on the television set as a popular prime time news debate discusses a subject we have never before talked to each other about – homosexuality. It is only a few days since Section 377 has been reinstated by the Supreme Court, and the television and print media bombards us with discussion after discussion on ‘alternate’ sexualities and LGBTQ rights.
Lots of things, people, and moments have possibilities for stirring the erotic within us. The bible, the dictionary or the stories on nifty.org may become pre-texts to something new within ourselves and others.
Age is not just a number, like it is often said to be. It is a lot combined together. It is about grace, it is about exposure, it is about knowledge, it is about the ability to fight back. And yet, in endless other ways, age IS just a number.
The film has all the makings and trimmings of a commercial thriller – a dynamic story, song and dance, an action-packed climax – and at the same time, it is a cinephile’s film.
So, what are the risks in a marriage? Well, the first and the most obvious one is that you don’t know if the partner you’ve chosen or has been chosen for you will make you happy. In the Indian context, even if they do make you happy, the family might not be too thrilled about the match.
The meetings with Nakul had made me feel interminably uneasy and awfully awkward. It was like going on a date knowing that your choice would be for life, it was more pressure on the heart than I had ever imagined.
If a woman’s clothing is tight or revealing (in other words, sexy), it sends a message — an intended one of wanting to be attractive, but also a possibly unintended one of availability. If her clothes are not sexy, that too sends a message, lent meaning by the knowledge that they could have been. There are thousands of cosmetic products from which women can choose and myriad ways of applying them. Yet no makeup at all is anything but unmarked. Some men see it as a hostile refusal to please them.
An analysis of billions of hits to PornHub (one of the largest online porn sites in the world) shows that m/m is consistently the second most popular category for women visitors, and that women make up 37% of m/m porn viewers – suggesting that women represent viable secondary consumers of this type of porn.
Māyā Mridanga infinitely problematises the nature vs. nurture debate that is central to sexuality studies. The novel seems to suggest that a certain kind of male body – feminine, smooth, shapely – is the ideal raw material for making a chhokra out of a biological man. Ustaad Jhaksa, whose life the novel documents[2], repeatedly emphasises on this act of nurturing, moulding and pruning of a feminine male body for which he has fatherly affection as well as a lover’s lust.