A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Drag is more than a form of entertainment or art form or a form of comedic release, it’s the realization of the fun of being queer or having a queer perspective.
Looking back, it seems strange, almost sad that he couldn’t contain his anxiety, couldn’t bear the shame of what he did wrong. He must have skimmed over so much turmoil, that he couldn’t accept the reality of harming someone.
This reconciliation between Pallavi’s public (seemingly) heterosexual and closeted lesbian identities points to a distinctly Indian way of avoiding polarities through a new social arrangement where both identities are allowed the space to flourish.
विभिन्न स्थानों पर लड़कियों की उपस्थिति, उनका अनेक मुद्दों पर चर्चा करना, दोस्तों के साथ मसलों पर बातचीत करना और किसी भी कारण के लिए एकत्रित होना स्वयं ही समाज में मानदंड को चुनौती देता है और उनकी सुरक्षा, गतिशीलता और यौनिकता को बढ़ावा देता है।
पल्लवी की सामाजिक (कदाचित) विषमलैंगिक और छिपी हुई लेस्बियन पहचान का यह मिलन, ध्रुवीता से बचने की भरतीय विशेषता की ओर इशारा करता है, जहां एक नई सामाजिक व्यवस्था के अंतर्गत दोनों पहचानों को जगह दी जाती है।
If the workplace looked anything like our world, it would have 50% men and 50% women, 7% would have a college degree, 55% would have access to the internet, and only 70% would have access to a smartphone.
Mental health, much like physical health, is a state of wellbeing and not just the absence of disease or infirmity. Because each of us is unique, with our own particular temperaments, quirks and histories, we may react to situations differently. However, our wellbeing is affected not only by our individual traits but also by social, cultural and other systemic factors.
What does it mean to extend acceptance and support in one of life’s most crucial areas – the workspace? How do we unpack the concept of positive discrimination and affirmative action at the level of the organisation.
When working with clients at the margins, the effort is not just to find out what intersections they are at and what systems alienate or harm them, but also the internal factors that affect them in the process of exclusion and violence.
The idea of a “desirable” body, sewn in my brain from the threads of Instagram reels, weight-loss ads, and the women on this store’s website, stitches the clothes I wear so that they become coloured in every shade of rejection. I wonder if the women I see outside the changing room, admiring themselves in the communal mirrors, seeking validation from their accompanying shoppers, feel the same way as I do inside their cubicle of doom.
Darlings, with the narratives of Badru (Alia Bhatt) and her mother, Shamshu (Shefali Shah), illustrates the story of ordinary women in India who are struggling to change their discourse, deconstruct their reality, and imagine miracles.