A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Not everyone, however, is taken in by #MeToo. Some women feel that they shouldn’t have to make a public show of their pain for their suffering to be acknowledged. For others, sharing their story in such a public fashion exposes them to further online harassment from those who think of the hashtag campaign as a sympathy-seeking movement. Then there are those who are downright unimpressed, feeling that it unfairly casts sexual harassment as a man vs. women problem.
The articles also reflected the ‘fear of old age’ among younger gay men – not just in terms of what the future would hold, but also in terms of insecurity around ‘losing ground’ in the here and now. The articles reviewed did not quite explore in detail what the ramification of such insecurity was on the mental health, and by extension the sexual health, of younger gay men, but it could not have been positive, especially with the backdrop of the HIV epidemic. The articles did, however, talk about suicide and suicide attempts among gay men, and this did not seem limited to any age bracket.
Time and sexuality, neither is one-dimensional, neither is neat and both have a way of being always in a state of movement, whether we like it or not, flow with it or not.
किसी शास्त्रीय नृत्य को देखने वाले एक आम दर्शक के रूप में मुझे लगा कि यह सब किस तरह से मुझसे और मेरे जीवन से सम्बद्ध है। इन नृत्य प्रदर्शनों में दिखाए जाने वाले कथानक अक्सर वे कहानियाँ होती है जिन्हें मैंने बचपन से सुना है फिर भी मुझे इसमें कोई विशेष रूचि नहीं लगती। लेकिन सुश्री रत्नम के दृष्टिकोण के आधार पर, पुराने कथानकों को आधुनिक रूप देने के उनके प्रयासों और किसी पुरानी परंपरा के लुप्त हो जाने पर दुःख प्रकट करने के स्थान पर नृत्य को एक नया रूप देने का के प्रयास को देखते हुए भरतनाट्यम और अन्य शास्त्रीय नृत्य अब और अधिक प्रसांगिक हो जाते हैं जिनसे आप आसानी से जुड जाते हैं।
In the portrait series ‘Faces and Phases’, South African photographer Zanele Muholi has created a visual record of black lesbian history that spans more than a decade. In the striking photos set against different textures and backgrounds, Muholi showcases the diversity and fluidity of black lesbian identity in South Africa.