A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
What is fiction? Is it born of reality? Or does it birth reality, reflecting it back at me until I see the things I do not see? Until I find the person that is me? Until I dance my horse dance under moon, under stars, in a room full of people who like horse dancing just as much as they like the swirly skirt and the pot-bellied person doing the Bhangra.
Both fiction and non-fiction are capable of great complexity if the making is in the hands of someone capable and complex. I have always held that good films – fiction, non-fiction or hybrid– emerge not from a familiarity with the subject, though that’s essential – but an understanding of the language of cinema.
We can speak of many situations in terms of access or its lack for all kinds of people, and it will always give us insight into the society we live in in two interdependent ways: one, it reveals a polarity between who is given and who is denied access, and two, it determines the big-picture human value given to the commodity that the access is contested for.