A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
We interviewed the honorary president of the Bharatiya Bar Girls Union (BBGU), Varsha Kale, on the occasion of dance bars reopening in Maharashtra after being banned for 11 years by the state government.
In rural Bihar, a wedding is incomplete without women dancers swinging to saucy Bhojpuri songs in front of a male audience. HT attends an all-night performance and follows a dancer to see what lies behind the grind and glamour.
A few days ago, we were doing a self-reflective exercise at work on what gives us power, how we demonstrate power, and what (or who) has power over us. Surprisingly, but not much, I found money featuring across the board for me: be it through financial independence or financial constraints. Power, as exercised by me or as exercised over me, has been intricately tied with my sexuality – ranging from job options to travel decisions to reproductive choices – and money seemed to lord over it all. It wasn’t the only lord, but it was quite a powerful lord.
For many of us careening to adulthood at the time, these films pushed us to confront our own biases. They asked us to stand in Diane and Mansi’s shoes and ask ourselves, what would we have done? Would we spend one night with a man (Robert Redford, no less) for a million dollars? Would we be able to resist the option that opened up to Mansi? And the truth of it was that this was a difficult question to answer.
Take the befuddled protagonist of this insightful short film. In an attempt to pamper himself for a special occasion, he decides to enter the precincts of an upscale salon. See what happens next.
As soon as you add sexuality to a piece about money, the first instinct generally is to reduce it all to sex, leaving the “-uality” like a little invisible tail feather that flutters away into the unknown.
The boundaries are the most interesting bits. No definitions can be identified without them, and yet they themselves remain in a state of flux – neither here nor there, neither this nor that, but both, all, nothing, and so much more. None can stake their claim on the borderland; it is unseizable, enigmatic, most ungraspable. In its ambiguity it has the power to comfort the outlier at its best, and at its worst, leave bereft those who seek refuge in the absolute.
The skewed portrayal that dominates narratives about Muslim women in mainstream international media continues to sustain an atmosphere of misinformation, where donning a hijab leads society to promptly place you in a box labelled ‘Oppressed’. Taking matters into their own hands are these two certainly not silent U.S.-based Muslim women who’re doing what they can – with hijab firmly in place – to undo the dangerous stereotyping that mires the image of Muslim women of colour.
The potential for art to connect people and to challenge thinking is continuously widening. Aarushi Jain, a 21-year-old artist from India, perfectly captures the societal expectations placed on women in her representation of the English alphabet.
I wanted to explore how sexuality and boundaries come together or work tangentially in a psychoanalytic clinic through the lens of the therapist, and understand how and why it may or may not be different from patient to patient.
On a cold winter evening, watching a tense India vs England cricket match when your about-to-be teenager asks you these questions, you want go deep under cover inside that blanket and never come out. Not possible, of course. I see myself as the quintessential modern day mom, pal to her kids, cool, unflappable.
Kakar talks about the divide between Ayurveda and modern medicine, Freudian psychoanalysis and Indian metaphysics, and the fault lines between colonialism, religion and sexuality.