A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Alankrita Shrivastava made her directorial debut with the film ‘Turning 30!!!’ (2011) and has been committed to telling stories about women from a woman’s perspective. Her second and most recent film ‘Lipstick Under My Burkha’ (2016) has received international recognition and is slated to release in India in early 2017.
In this write up, we’d like to share a sense of what emerges from a compilation of these responses. This is based on the thoughts and feelings that come through for those of us here at In Plainspeak who have had the joy of reading the original responses as they came in to us. (Some of the quotations that follow have been slightly edited for flow and to help connect themes.) We know that most things in the realm of art, information and ideas lend themselves to a wide range of inferences and insights depending on the individuals making the inferences.
“Questions of difference should not be a cause for despair. There are examples from history and our own lives that show how we can connect across difference and stand in solidarity with one another…”
Entertainment should aim to inspire, comfort, reflect and express. Even if something violent earns big at the box office, it doesn’t justify its creation.
“I feel that connection is the survival language of the LGBTQIA+ community. The sense of a common struggle makes way for developing quick yet lasting connections among the community…”
The larger question is, who gets to bring all of themselves to the workplace, and who is either not allowed, or feels scared, or is bullied for doing so?
I think that the level of power that law makers, opinion builders and stakeholders wield over the more vulnerable and younger people in society is enormous. Yet, these actors have chosen to focus only on building a policy regime of sexual violence, even to the extent of allowing juvenile offenders to be treated as adult accused – without any corresponding effort to build a sex positive culture within which they may exercise agency.
I feel that parents, teachers and CSE can make room for these disparate realities of adolescents by first acknowledging the limits of formal sexuality education, that the curriculum imparted formally fails in providing the kind of learning that happens through other sources.
Deena Mohamed, Egyptian artist, illustrator and designer, speaks to us about her art and her perspective on politics, patriarchy, feminism, and gender and sexuality.
Safe spaces in the way that they often circulate are depoliticised and the assumption is that there won’t be any conflicts, but there can be no safe space without an exchange of ideas, which will create some bad feelings leading to conflict.