संगीत की भाषा सार्वभौमिक है। यह वर्ण, जाति तथा लिंग इत्यादि से भी परे है। संगीत सभी का है। कुछ…
I just celebrated my twenty years in India last October and designed a performance for the occasion: ‘What is dance?’…
“Does my sexiness upset you? Does it come as a surprise that I dance like I have diamonds at the…
Music is a universal language. It has no gender. It belongs to everyone. For certain communities’ music has been a…
“For every incarnation of Rama, there is a Ramayana”, says AK Ramanujam in his essay ‘Three Hundred Ramayanas’. So, too, there…
The Hollywood rendition of the Geisha world, with Edward Said’s Orientalism [1] thrown in, reminds us of a simple fact: things…
In December TARSHI interviewed Anita Ratnam, who is a leading Bharatanatyam dancer and choreographer based in Chennai. In her own…
It is not entirely impossible to imagine that classical Indian dance is timeless or that the stories narrated in these…
[slideshow_deploy id=’4883′] This series of images captures a few Indian dance forms that have over time told stories of desire….
I started learning Bharatanatyam in 1988, when I was six years old. Looking back, it feels like beginning to learn…
The collection Wild Girls, Wicked Words is an anthology of poetry translated from Tamil by Lakshmi Holmstrom. The collection contains…