Review
With the shifting nature of perceptions around fandom, the discourse around Rainbow Rowell’s Fangirl has witnessed an interesting shift. While earlier, the book found almost unanimous acceptance, in recent times, it has completely faded into irrelevance.
Queer Intentions manages to capture the vast nuances of the queer experience, as Abraham creates space for LGBTQ+ people of a whole spectrum of identities and diverse walks of life to tell their stories.
Fire served as a seminal piece of media in my life for that reason, not only because of its queer themes and normalisation of LGBTQ+ relationships but because of how it normalises the pursuit of pleasure as a fundamental part of us, and not something we should be ashamed of.
Indian films have for long fed into as well as mirrored social and cultural practices. Many of them depict a woman as being restricted to the kitchen and serving delicacies during festivities.
The first sensations that we experience are related to and derived from our body. It is a site of experience, expression and contemplation. The body is a means of voicing our deepest realisations, but how others visualise it can be a source of intense pain.
It is unusual to find films that focus on older people, especially women, given our obsession with youth, ‘fit’ bodies and beautiful faces.
No Limits explores several themes – the struggles that athletes go through to reach their goals, the personal and professional risks they take to break records, the compromises they make and the single-minded focus required of them.
This reconciliation between Pallavi’s public (seemingly) heterosexual and closeted lesbian identities points to a distinctly Indian way of avoiding polarities through a new social arrangement where both identities are allowed the space to flourish.
Sam is an 18-year-old boy who believes that he is ready to have a girlfriend. He is on the autistic…
Reviewing three films (or the subplots of three films) to see how subplots show that marriage isn’t a destination or a single story that begins and ends in the ‘happily ever after’.
In a world where queerness is looked at as failure, The Queer Art of Failure allows for many possibilities to make sense of these failures.
The Half of It is beautiful because it brings out the insecurities of teenagers who want to fit in with the world around them and are confused about their feelings which might be the diametrical opposite of what is socially expected.
This film reminds us of the power of connections in finding pleasure, joy, confidence and healing.
The film has all the makings and trimmings of a commercial thriller – a dynamic story, song and dance, an action-packed climax – and at the same time, it is a cinephile’s film.