A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Manto’s writings reflected both his own context and more. His stories dealt with eternal issues like love, deceit, pain, friendship and materialism. They also dealt with the specificity of national liberation movements, partition and the class-caste-religion matrix influencing human relationships in the particular context of South Asia.
In Nacher Chhele, a 38 year old Avijit stands outside himself, takes a long look at his past, and writes an intense testimonio, which would resonate with many middle class Bengali queer men who grew up in the pre-global, pre-Internet city of Calcutta in the 80s and 90s.
The anthology’s pull rests in its sincere and frank portrayal of male and female desires cutting across the divides of age, sexuality, and socioeconomic position. In terms of romance, the idealistic, till-death-do-us-part fantasy peddled by our movies and mainstream literature has been replaced by a realistic portrayal of modern relationships.
The first sensations that we experience are related to and derived from our body. It is a site of experience, expression and contemplation. The body is a means of voicing our deepest realisations, but how others visualise it can be a source of intense pain.
This exhibition covered themes such as gender roles and division of labour, migration and belonging, disability and queerness, and the lived experiences of women artists.
Rama and Sita are no longer placeholders for chastity and virtue, but are human and they make excessive demands on each other, they are callous and take each other for granted all the time.
The movie Shubh Mangal Saavdhan was a commentary about perversions in our society – the denial of the truth about sexuality, that sex is normal, that sex could be just another physical need, that sometimes sex can be boring, that sometimes sex can frustrate.
Kwan’s ‘Crazy Rich Asians’ does not just highlight the lifestyle of the segment of Singaporean society that is unimaginable and unattainable to most people, it amplifies that heterosexuality is often not a choice.