A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
These two films were refreshing because they didn’t have the fairytale endings of girl-meets-boy, they fall in love, overcome difficult challenges and live happily ever after. Instead, they were set in everyday reality where life takes over and choices have to be made.
Allred’s story is important because it shows us how an individual used her knowledge, power, and position to challenge the legal system in demanding rights and equality, especially for women and LGBTQ+ people.
Because the Internet is an integral part of our daily lives, it is important that young people are given the right information so that they can explore the world around them, access information without violating legislations, know their rights in the virtual and physical world and have enjoyable and consensual relationships with whoever they choose.
This movie had instantly called out to me because the book had made a huge impression many years ago when I was going through a Stephen King phase and consuming as many of his novels as I could. It is a story of resilience where a woman had to rescue herself from a dangerous situation of metaphorical and emotional bondage as well as the physical and sexual kind.
Manto’s writings reflected both his own context and more. His stories dealt with eternal issues like love, deceit, pain, friendship and materialism. They also dealt with the specificity of national liberation movements, partition and the class-caste-religion matrix influencing human relationships in the particular context of South Asia.
Much like any good erotic encounter, Balli Kaur Jaswals’ 2017 novel, Erotic Stories for Punjabi Widows, is a delightful romp that comes to a satisfying, sweet climax and an urge to fall back on the pillows.
Lawrence may have given Elena a world and a voice. But it was she who chose to delve into the unknown world of sexuality. It was she who chose to see the beauty and the richness of pleasure within communities of sex workers, soldiers, the elite, all alike. She alone chose to discern as well as reconcile love, as we commonly seem to know it, with a life in which she is capable of many loves.
The book is especially remarkable for readers of both Indian English and Kannada literature, for amplifying the voice of sexual minorities in Indian towns and villages.
Tales delicately yet powerfully draws out the conflict between sex workers and feminism in India,at a time when a lot of feminists thought of prostitution through a SWERF lens[1].
As the fire rages on and licks of flames get higher and higher, the burning desire, tension and sexual chemistry between the two rises to a crescendo. Heloise gets so consumed that a part of her dress catches fire, but it is quickly put out by the other women present there.
Puu, an episodic comic (consisting of 92 serialised episodes) created in 2016 by Nabigal-Nayagam Haider Ali – going by Nabi online – is woven together with vast, expansive threads of similar intense spiritual moments and reflections on devotion, faith, and love.
Dilli ki Galiyaan therefore offers us a broader canvas for our desires, than the one afforded by the clear cut binaries of our current debates. The text shows that there will be masculinities that we urgently need to discourage; while men who do not encourage us will continue to exist.