A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
But whether you root for this couple or not, Little Things makes you think about the small things – like reading out a line from a book of poetry, sharing a friend’s WhatsApp message with your partner, forgetting to wash your dirty socks before they make the room stink – that make or break a relationship.
My friend’s son, too, likes wearing tutus and frilly skirts. Every time they go shopping for clothes, he heads to the girl’s section and picks out the frilliest outfit. At check out, invariably the cashier asks if the pretty outfit is for his sister and he confidently says it is for him. Often he wears these outfits to school. His confidence comes from his mother’s acceptance of him and her understanding of his gender expansiveness. It helps that she is a sociologist, but there is a constant pushback from society including from his peers at school who bully the little boy. But it is the constant support from his mother and family that allows him to remain confident and thrive whilst being different.
Reviewing three films (or the subplots of three films) to see how subplots show that marriage isn’t a destination or a single story that begins and ends in the ‘happily ever after’.
Written in one sitting in Philadelphia, Ukeles’ manifesto was a manifestation of the rage she felt when she was pregnant with her first child and a male mentor proclaimed, “Well, Mierle, I guess you know you can’t be an artist now.”
Ellie’s writings are mostly BDSM-centric. Some set in an imaginary world, others in our world with fictitious characters, and some even in a supernatural world. However, almost as a rule, all these stories include elements of BDSM, fantasies, fetishes and even some mildly taboo subjects.
It’s an entire genre of poetry known as rekhti, which was characterised by a female speaker and preoccupation with women’s everyday lives.It is counter posed to rekhta, the “literature narrated in the masculine voice”.
The boisterous figure of Indo-Trinidadian chutney soca musician Denise “Saucy Wow” Belfon has ruffled the feathers of many an Indian-origin immigrant sentiment with her song ‘Looking for an Indian Man’.
Emmi Kurowski (Brigitte Mira), a widow in her sixties, walks into a bar to take shelter from the rain. She is met with hostile stares by a mixed group of Moroccan immigrants and Germans. As a joke, one of his friends challenges Ali (El Hedi ben Salem m’Barek Mohammed Mustafa), a young strapping Berber man, to ask her for a dance. He agrees, and thus begins a romance across the taboo lines of race and age.