A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Twitter was hashtagging the 21st anniversary of the classic Bollywood film, ‘Dilwale Dulhania Le Jayenge’ (1995) a few months ago, a human rights organisation did a fun take on it by asking its followers to feminist up the film’s iconic dialogue, “Ja, Simran, Ja”.
“We believe in the transformative power of personal expression in concert with collective action. To this end, we produce collective portfolios, contribute graphics to grassroots struggles for justice, work collaboratively both in- and outside the co-op, build large sculptural installations in galleries, and wheatpaste on the streets—all while offering each other daily support as allies and friends,” they say.
No fantasy is wrong. Or sick. Or immoral. Just like good intentions are worthless unless they lead to fruitful actions, wicked fantasies aren’t wrong or sick unless they lead to wicked acts. And no, they don’t have to. That is the point of kink.
Canadian parent Wendy Tsao took her child’s over-sexualised dolls, removed their makeup and changed their overly done-up hair to turn them into role models from real life. By creating from commonly available dolls lookalikes of real-life women of renown, Tsao explores the idea of playthings having an influential impact on the formation of one’s own identity.
“Yo existo. I exist,” asserts Julio Salgado’s self-portrait drawn with wings that give him identity. Salgado was eleven years old when he crossed the border from Mexico to the United States where he remains an undocumented resident. Risking arrest and deportation if detected, Julio makes art about his experiences of being a queer and undocumented person of colour.
Now, You Can Go Home is a compilation of photo works created in the past two years and continues to be an open project where each photograph performs a story about explorations of different characters providing glimpses of them in fear, self-acceptance, longing and celebration.
Alok Vaid-Menon is one half of the trans South Asian performance duo from New York, DarkMatter. Vaid-Menon was gender-assigned male at birth, identifies as transfeminine (that is, identifies with femininity to a greater extent than with masculinity) and prefers the pronouns ‘they’ and ‘their’.
This photo feature gives us a glimpse into the lives of women from around the world at their diverse places of work: “Teachers, farmers, businesswomen, politicians, mothers, law enforcers – women and girls contribute every day in many visible and invisible ways.”
In the Chinese province of Yunnan, ‘early marriage’ is a common phenomenon. Dearth of employment opportunities compels parents to marry off their children before leaving for work in bigger cities. The cultural trend favours early marriage, so there is no social stigma attached to it.
If there are hordes of reasons for having sex, and all kinds of activities that count as work, why is it that the act of performing sexual services cannot be accepted as legitimate work?
Liz Hilton illustrates the puzzle in a booklet published by Empower Foundation, Thailand.
[slideshow_deploy id=’8255′] [slideshow_deploy id=’8268′] “I want to put forward laughter and detachment as ways of resisting and refusing patriarchy by…