A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Inspired to collect photographs of women spending time by themselves and for themselves after a conversation with her mother’s friend, Surabhi Yadav began the project, Women at Leisure.
This thought-provoking, luminously illustrated The School of Life video reminds us of self-compassion being essential to building our own selves up, and being a safe space where we can extend the same love and imagination to our vulnerabilities, insecurities, fears, and doubts as we do to our friends.
Robot Hugs gives us a glimpse into the doubts and confusions they grappled with while growing up, and unravels the tightly wound preconceptions in culture influenced by, and at the same time, influencing scientific and medical imagination.
Sharp and evocative, Kalki Koechlin’s spoken-word poem The Printing Machine lays bare the cycle of ceaseless and desensitised consumption engendered by the media. Kalki’s short and hard-hitting sentences, keys tap-tap-tapping, and the chrrs and grrs of printing machines bring out the urgency and sensationalism media narratives embody, turning incidents of violence into a stream of headlines that make us gasp and forget, gasp and forget.
Online dating can be great fun but it comes with some risks. This quirky and in-depth Digital Security Guide by Access Now on How to Date Online Safely tells us how we can engage with fellow dating-app users while making sure we are safe from harm.
Japleen Pasricha, founder of Feminism in India, lays bare the violence women, LGBTQIA+ folks, and historically marginalised communities face in online spaces, ranging from identity theft, bullying, trolling, to having our private photographs and details disseminated without our consent and being blackmailed.
Her artworks illustrate discoveries, intimacies, and vulnerabilities during a time when identities are coalescing that may affect how we eventually come to become.
From being comfortable doing nothing in someone’s company or cooking and laughing together, to confiding in them our hopes and fears, feeling safe letting someone seeing us at our best as well as through our not-so-good moments is like ‘coming home’ in the world.
We are often told to speak to ourselves as we would to a friend, gently and lovingly. At the heart of friendship is vulnerability – a radical acceptance of oneself and another for who we truly are, the glowing and beautiful, as well as the dark and crooked.
As Clément subverts ageist norms around beauty with her camera-work, the women and men (ranging in age from 70 to 102 years) who reveal themselves in this project give us a glimpse into their inner world and the rich and vibrant ways in which they experience sensuality.
Capturing moments of tenderness between these couples as they shine with affection, comfort, and laughter, Sujata’s photo-series reminds us that we don’t simply fall in love, but with time, nurture and strengthen intimacy.
Alankrita Singh brings us a sparse and evocative series of photographs of women out in the world, by themselves. With a quiet defiance, it depicts women interacting with the world, at leisure, resisting the socio-cultural negativity they face when not under the care of men.
Paromita, an award-winning filmmaker, and founder of the multimedia platform Agents of Ishq, and Leeza, who tries to normalise conversations about sexuality through her online work, remind us that neither singlehood nor marriage is the only determining factor of our wellbeing.
In a way, the expression of vulnerability can be a foundation of trust and mutual support in a relationship, often leading to a sharing of burdens and the building of a deepened connection and solidarity.