A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Conversations about stress, burnout and mental health have gained prominence, especially during and since the COVID-19 pandemic. But, what is stress and burnout?
In the video section, watch Tishani Doshi perform one of her most haunting and popular poems ‘Girls Are Coming Out of the Woods’. Using the movements of/in body, music and language, it is a powerful expression of Tishani’s expansive vision of resistance, freedom and solidarity in the face of violence.
What can celebrating sexuality look like? Un Sacré Mariage!, an animated short by Francis Papillon and Gregory Verreault shows us with aplomb, jest and buoyancy that one of the ways to do it could be by moving away from conventions and rituals.
Is a monogamous long-term romantic relationship the only kind of relationship available to us? This School of Life video explores alternative modes of relationships through “The Menu of Love” and prods us to rethink the notion of monogamous romantic love and coupledom.
This Parodevi Pictures’ production from Agents of Ishq is a kaleidoscopic must-watch that takes us into the poorly understood ‘galaxy’ of female orgasm and sexual pleasure through a mobile-phone game – A Little Death – that helps people navigate this terrain unfamiliar to many in an exciting and accessible way.
Furry Secrets Uncovered takes us into Leo’s world as a Furry as he explains how he came to it, and what being a Furry means to him. A must-watch not only to understand the subculture better but to also see some amazing fursuits!
This thought-provoking, luminously illustrated The School of Life video reminds us of self-compassion being essential to building our own selves up, and being a safe space where we can extend the same love and imagination to our vulnerabilities, insecurities, fears, and doubts as we do to our friends.
Sharp and evocative, Kalki Koechlin’s spoken-word poem The Printing Machine lays bare the cycle of ceaseless and desensitised consumption engendered by the media. Kalki’s short and hard-hitting sentences, keys tap-tap-tapping, and the chrrs and grrs of printing machines bring out the urgency and sensationalism media narratives embody, turning incidents of violence into a stream of headlines that make us gasp and forget, gasp and forget.