A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
The dance therapy project therefore squarely locates itself as a supplement to economic skill building and psychological counselling, in developing a holistic sense of self among the women beneficiaries of the project.
During my interaction with students as a part of sexuality education classes in schools, one frequently asked question by boys is,“How to charm a girl?”
I am a feminist, sex-positive and LGBT affirmative Clinical Psychologist. Having that openly and publicly stated means that my clients feel very safe discussing some of the more taboo topics, especially ones that we are made to feel ashamed of. One of these is the topic of the rape fantasy.
It is the winter of 2013, and my father and I are sitting at an awkward distance from each other on the living room couch, our eyes trained on the television set as a popular prime time news debate discusses a subject we have never before talked to each other about – homosexuality. It is only a few days since Section 377 has been reinstated by the Supreme Court, and the television and print media bombards us with discussion after discussion on ‘alternate’ sexualities and LGBTQ rights.
If your one step – addressed to everyone irrespective of caste, class, gender, religion, and sexuality – is a giant leap for marginalised and oppressed people, Stonewall will not be far behind.
Giving a trigger warning helps to somewhat flatten that hierarchy by making sure the audience is okay with the content. It can also shift power to the audience who may now decide what they would like to do with that information – to stay put and listen, or to walk out.
Irrespective of the gender or sexual orientation of the people involved, the only way the scales of power can be balanced in favour of everyone involved, is through explicit, well-informed consent.
As if the challenges of parents bringing up adolescents in a world dominated by social media is not enough, the addition of teaching these parents to accept different sexual orientations and the fluidity of gender in a gender-binary world can be daunting.
It was, however, the community’s consistent refrain of having “no one” to talk to, that made the problem of mental health crises stand out during my conversations.
While we have come a long way from the singular Freudian focus on sexual energies and reducing most mental health disturbances to sexuality, there is no doubting its significance for an individual’s wellbeing.
Working as a sexuality rights activist in a repressive environment can take a huge toll on people’s wellbeing. It is therefore important that we as social workers, activists, advocates and everyone else involved in this work take care, take care of ourselves and each other, be supportive, give that extra push to someone who needs it, and allow ourselves to make mistakes.
In my opinion, Ghosh was in search of a language of cinema which could be adequately expressive of queerness; he was slowly moving towards inventing that language, which would not be alienating to his conformist audiences, yet, would be intelligibly pleasurable to his (informed) queer viewers.