A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
अपने बच्चों को बाहरी दुनिया की बुराइयों से बचाने की अपने यक़ीन के कारण भारतीय परिवार इस सच्चाई को नज़रअंदाज़ कर देते हैं कि बच्चों को भी दुनिया को समझने के लिए तैयारी की ज़रुरत होती है।
The relationships that are portrayed in queer media also often transcend all attempts at categorisation, but are still undeniably queer – as are the characters whose inescapable push-and-pull, to their audience, often becomes the plot itself.
Despite the progress made, Hindi cinema still faces challenges in accurately representing the diversity of LGBTQ+ experiences. Critiques have been raised regarding the tendency to prioritize cisgender, upper-class narratives.
As individuals who are now privileged enough to address issues concerning mental and emotional health as compared to our parents and the generations before them, it is still quite disturbing to observe emotional/ psychological violence happening to women at different levels.
Directed by Saim Sadiq, Joyland (2022) is not a film about trans rights or women’s rights. It is not even about one specific group or community of people. It is about the whole spectrum of human emotions.
The ambivalent character of the Gaali allows it to both express as well as contain antagonisms and repressed emotions in a non-threatening manner and humour is pivotal to this process.
Aastha Khanna is India’s first intimacy coordinator who is making sure that a film’s vision is realised without flouting anyone’s boundaries, or leading to general awkwardness on set, especially when it comes to intimate scenes.
Entertainment should aim to inspire, comfort, reflect and express. Even if something violent earns big at the box office, it doesn’t justify its creation.
While Nishit Saran’s iconoclasm loomed large in his lifetime, his oeuvre as a pioneering queer filmmaker and activist seems to have been largely obliterated.