A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
The most satisfying spiritual and sexual experiences I’ve had were not in my twenties, thirties or even forties. They have been in my 50’s. The most insightful spiritual insights, and the most orgasmic orgasms have both arrived in middle age.
Being vulnerable helps boost our self-esteem and self-worth by pushing us out of our comfort-zone. It provides us with an opportunity to overcome obstacles and reach deep down within ourselves to find strength and confidence to keep going even when the odds are against us.
In fact, once when I referred to Sheriff Callie (a cartoon character) as a man, I was sternly told she is a woman. Doc McStuffins, another of their favourite cartoon characters, is a smart girl who can fix anything. She inspires my nieces to think boldly.
“I realised plus-size acceptance is neither a movement to eat whatever you want nor is it about placing restrictions,” Amina said. “It’s about being kind to your body and realising you are not defined by the size of your waist.”
Tales delicately yet powerfully draws out the conflict between sex workers and feminism in India,at a time when a lot of feminists thought of prostitution through a SWERF lens[1].
It’s an entire genre of poetry known as rekhti, which was characterised by a female speaker and preoccupation with women’s everyday lives.It is counter posed to rekhta, the “literature narrated in the masculine voice”.
Often when we speak of families and family history, we talk genetics, traditions and inheritance of all kinds. Somehow our relationship by blood or otherwise to a clan is supposed to help us identify our place in the universe. So there’s family medical history, family culture, family traditions of food and career. But sexuality? A family history that focuses on sexuality? What would that even mean?
Through multiple maquettes, I finally came across (since I myself did not know what the result of the form or figure would be) the Reclining Lady. She represents confident femininity and vulnerability. The feeling one has after taking a bath and sitting in the nude, drying oneself in unabashed nakedness.
How we treat each other in our daily lives informs our feminist praxis. How we fail each other in our daily lives through the use of unkind language, dismissal of mental illnesses, making fun of one’s own choices, disrespecting personal boundaries (and so on), also counter our feminist praxis.
The virtual world allows me to challenge the hold of patriarchy on my ‘effeminate’ body; in a sense, it allows me to evade the policing of desire that my body shares with another, its flows and slippages, the messy and the unkempt. While virtual sex offers a window to revisit the sensual, it is also not immune to limitations and insecurities.
The link between women’s clothing and patriarchy is important to acknowledge and understand if we are to address some pertinent questions around women’s agency and ability to exercise control over their choices, bodies and sexuality – questions that feminists around the world, including in South Asia, continue to struggle with.