A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
I wanted to be one of those people who decide to never date again and actually follow through. Indeed, I decided that a lot. A resolution that was broken so many times that it became a running joke in my head.
The concluding chapter reiterates the aims of the book, i.e., “to start critical conversations within the disciplines of psychology, social work, childhood studies, and family studies in India and to think about exclusions inherent in these disciplines.
I would say that growing up in a small village would make it difficult to find love or companionship, but I have since moved to a city and found that it was difficult to find love there, too. It did not stop me from trying, though.
Every part of life, the world too, is storied. Stories are the thread that hold histories and truths together. Stories are at the core of myth-making. Everything that we know is part of multiple crisscrossing relational storylines that we raise and those that we have no power in raising.
We are two boys in our early twenties
who can read touch like that, who have broken into
a 200-year-old mansion, without permission,
to see from above where people like them go
after 377 has been read down only for those
who can stay behind closed doors — in the custody
of cheap hotels, or houses that welcome nights
with the sound of latches closing.
Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
Were there more people like my father? Was it legal? I read about sexual diversity and how people of all sexual orientations should have the same rights[1], the LGBT community, and so on, and what the law says about them. Though the picture is not a completely happy one, a lot of work is going on in this area and there is still hope for the future.