A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
In Nanette, Hannah Gadsby’s hour-long Netflix special that transcends the very notions of stand-up comedy, forces of reclamation, protest, and rage culminate to form a darkly hilarious but heartbreaking diatribe against patriarchy, heteronormativity, violence and marginalisation.
The concluding chapter reiterates the aims of the book, i.e., “to start critical conversations within the disciplines of psychology, social work, childhood studies, and family studies in India and to think about exclusions inherent in these disciplines.
The film has all the makings and trimmings of a commercial thriller – a dynamic story, song and dance, an action-packed climax – and at the same time, it is a cinephile’s film.
Despite the intervention of many well-meaning aunties and friends over cups of chai, I don’t think I was aware of how truly strange, let’s even say ridiculous, I looked at the time. Because although I was wearing kurtis nearly every day, I didn’t really understand the ‘rules’ of wearing kurtis.
Every part of life, the world too, is storied. Stories are the thread that hold histories and truths together. Stories are at the core of myth-making. Everything that we know is part of multiple crisscrossing relational storylines that we raise and those that we have no power in raising.