A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Sharp and evocative, Kalki Koechlin’s spoken-word poem The Printing Machine lays bare the cycle of ceaseless and desensitised consumption engendered by the media. Kalki’s short and hard-hitting sentences, keys tap-tap-tapping, and the chrrs and grrs of printing machines bring out the urgency and sensationalism media narratives embody, turning incidents of violence into a stream of headlines that make us gasp and forget, gasp and forget.
It is the winter of 2013, and my father and I are sitting at an awkward distance from each other on the living room couch, our eyes trained on the television set as a popular prime time news debate discusses a subject we have never before talked to each other about – homosexuality. It is only a few days since Section 377 has been reinstated by the Supreme Court, and the television and print media bombards us with discussion after discussion on ‘alternate’ sexualities and LGBTQ rights.