A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Many disabled people in India live with their parents and any expression of sexuality is suppressed as a rule within the confines of their homes. Sexual desires of persons with disabilities are seldom a priority issue for families or civil society. More is said through silence than words. Be grateful that you are alive. Isn’t that enough?
She turns towards me when I speak, and I can feel her eyes thinking over my words, sensitive to any hint of criticism. Her thighs slide against mine, and for a moment we are both distracted by the naked coolness of our bodies. For a moment, we look at each other.
You see, you are being pushed and pulled in all directions because people around you, whether family, friends or the larger society, expect you to behave in a particular fashion and stick to existing norms. However, your inner voice is telling you to challenge these norms and follow your own path.
Queering transcends the confines of symmetry and is a way of looking, of breaking established meaning, of making new meaning, and of being and becoming that offers us the promise of fluidity, flux and freedom.
ऐसी जगहों की बहुत कमी है जहां विकलांगता के साथ जी रहे लोग अपने यौनिक अनुभवों या यौनिक जिज्ञासा के बारे में खुलकर बात कर सकें। खास तौर पर विकलांगता के साथ जी रहे युवाओं पर हर वक़्त निगरानी रहती है जिसका मतलब है कि वे यौन अनुभवों से वंचित रह जाते हैं और अपनी यौनिकता को समझ नहीं पाते।
When working with clients at the margins, the effort is not just to find out what intersections they are at and what systems alienate or harm them, but also the internal factors that affect them in the process of exclusion and violence.
This issue of In Plainspeak while inviting us to embrace the joys and pleasure in movement, also questions the ways in which movements are facilitated or obstructed, visibilised or invisibilised, and the spaces that we must envision to find freedom in/to movement.
Expanding contexts give the word ‘movement’ different meanings and value. Physical, conceptual, technological, relationship, emotional, mental, power, knowledge, ability, access, may be amongst the contexts immediately identified.
A space can make us feel constricted or liberated, and sometimes even both at the same and at varying times. The combination of spaces that we may be occupying in the moment, as well as those we have in the past, predisposes us to act, feel and experience our sexuality in different ways.
The plot of the movie narrates the tale of the love that grows between two people who are struggling to survive in a world of rootlessness and are continuing to make a cosy home for themselves. The love between Madhu, who works as a food delivery boy, and Puti, who survives by singing at traffic signals, blossoms while they cross paths everyday at the traffic signal and the look that they exchange appears to us as if each of them is trying to find a home in the other.
But what has been amazing to witness is how quickly young women in particular, took to the ideas of Why Loiter? and pushed them even further, creating new movements to expand women’s rights to the public, including the right to be out late at night, to stretch the curfew at women’s hostels, to demand extended access to women’s toilets, to public transport etc.
As a girl, I was made to believe that pleasure was something that existed outside my body, something that I had to seek out, something that was necessarily a product of a partnered experience. I don’t think I was even allowed to want pleasure, especially in its sexual forms.
Every part of life, the world too, is storied. Stories are the thread that hold histories and truths together. Stories are at the core of myth-making. Everything that we know is part of multiple crisscrossing relational storylines that we raise and those that we have no power in raising.
In this write up, we’d like to share a sense of what emerges from a compilation of these responses. This is based on the thoughts and feelings that come through for those of us here at In Plainspeak who have had the joy of reading the original responses as they came in to us. (Some of the quotations that follow have been slightly edited for flow and to help connect themes.) We know that most things in the realm of art, information and ideas lend themselves to a wide range of inferences and insights depending on the individuals making the inferences.