Pleasure
It is unusual to find films that focus on older people, especially women, given our obsession with youth, ‘fit’ bodies and beautiful faces.
For me, pregnancy was a strange state of being so present and so aware of my body, while at the same time being separate from it. This experience really did a number on me during those nine months and during the postpartum period.
I often imagine if I had been able to access friendly and empowering comprehensive sexuality education from my childhood, how different my life would have turned out to be.
Lawrence may have given Elena a world and a voice. But it was she who chose to delve into the unknown world of sexuality. It was she who chose to see the beauty and the richness of pleasure within communities of sex workers, soldiers, the elite, all alike. She alone chose to discern as well as reconcile love, as we commonly seem to know it, with a life in which she is capable of many loves.
This Parodevi Pictures’ production from Agents of Ishq is a kaleidoscopic must-watch that takes us into the poorly understood ‘galaxy’ of female orgasm and sexual pleasure through a mobile-phone game – A Little Death – that helps people navigate this terrain unfamiliar to many in an exciting and accessible way.
Age is not just a number, like it is often said to be. It is a lot combined together. It is about grace, it is about exposure, it is about knowledge, it is about the ability to fight back. And yet, in endless other ways, age IS just a number.
It was so wonderful when I got sexual pleasure from someone I loved, someone I had fun with, someone I trusted, and someone whom I liked as a person!
I see people and places,
Couples and crushes
I hear giggles and whispers.
These are the secrets untold to me.
We had gathered to [discuss] digital self-determination for people with disabilities… focusing on its core component: the self. How can I be myself in digital spaces? What gives me more of a sense of self in these spaces? How can design, technology and policy contribute to helping me determine myself in digital spaces?
To claim the public then in arbitrary, messy and oppositional ways, whether on the streets or online is to challenge the neoliberal impulse which is located in the creation of order. To create place, to stake claim, thwarts the desires for the sanitised neoliberal city and is a politics.
To claim the public then in arbitrary, messy and oppositional ways, whether on the streets or online is to challenge the neoliberal impulse which is located in the creation of order. To create place, to stake claim, thwarts the desires for the sanitised neoliberal city and is a politics.
The plot of the movie narrates the tale of the love that grows between two people who are struggling to survive in a world of rootlessness and are continuing to make a cosy home for themselves. The love between Madhu, who works as a food delivery boy, and Puti, who survives by singing at traffic signals, blossoms while they cross paths everyday at the traffic signal and the look that they exchange appears to us as if each of them is trying to find a home in the other.
From the outside, the world of kink can look like a place where a smile would be a rare occurrence. But come closer if you dare. Let go of your inhibitions, your fears, your judgements, and biases, and take a real, long look..
For a queer person, or for someone who remains single by choice, everyday existence requires strength and will. That is the embodiment of kun faya kun as a personal philosophy: to manifest the person you want to be through sheer will.