A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
हम धीरे-धीरे अपनी शर्म, असहजता, और ‘हेटेरोनॉर्मेटिव’ मानसिकता से ऊपर उठने लगे ऐसी कई सारी कृतियों का विश्लेषण करते हुए, जो न तो वात्स्यायन का ‘कामसूत्र’ थे और न ही यौनिकता पर फ़ूको की समीक्षा।
The relationships that are portrayed in queer media also often transcend all attempts at categorisation, but are still undeniably queer – as are the characters whose inescapable push-and-pull, to their audience, often becomes the plot itself.
Despite the progress made, Hindi cinema still faces challenges in accurately representing the diversity of LGBTQ+ experiences. Critiques have been raised regarding the tendency to prioritize cisgender, upper-class narratives.
Entertainment should aim to inspire, comfort, reflect and express. Even if something violent earns big at the box office, it doesn’t justify its creation.
While Nishit Saran’s iconoclasm loomed large in his lifetime, his oeuvre as a pioneering queer filmmaker and activist seems to have been largely obliterated.
Of course, I knew I wasn’t the only person in the world writing about Sherlock Holmes. I, however, thought I was the only one in the world writing about them like that. You know.
Romantically.
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
Fire served as a seminal piece of media in my life for that reason, not only because of its queer themes and normalisation of LGBTQ+ relationships but because of how it normalises the pursuit of pleasure as a fundamental part of us, and not something we should be ashamed of.