A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Those who are rendered vulnerable due to their gender or sexuality, particularly those who are economically and socially disadvantaged (or less powerful) and lack the agency to speak up for themselves, are more prone to allegations, social ostracism and marginalization.
For the last seven years, I have been working on a body of work titled Hotel Rooms themed around fluid male sexuality, mental health, queerness, and challenging deep-rooted societal gender binaries.
For a lot of queer people, ‘home’ can hold complicated meanings. The space of one’s home can be fraught with bigotry and alienation, and be far from safe or comforting. And so, there is a quest to find alternate ‘homes’, to find a space where we feel truly accepted, safe and protected.
This reconciliation between Pallavi’s public (seemingly) heterosexual and closeted lesbian identities points to a distinctly Indian way of avoiding polarities through a new social arrangement where both identities are allowed the space to flourish.
In my opinion, Ghosh was in search of a language of cinema which could be adequately expressive of queerness; he was slowly moving towards inventing that language, which would not be alienating to his conformist audiences, yet, would be intelligibly pleasurable to his (informed) queer viewers.
The conversion of the noun (adult) into the verb form (adulting) implies that ‘adulting’ is more performance than inevitability. Which is to say, there is no intrinsic understanding of ‘adulting’; it is something that can be learnt over time.
Being a woman who loves other women, I realised that women look at me with the same tender gaze I look at them with. And that, more than anything, has made me feel at peace with my body. I hope to one day love it
Pleasure, in the context of the private, defines the parlance of sexual satisfaction. As a womxn, the private is also the public: how I present and play with my gender, is a way of seeking validation of who I am.
We are two boys in our early twenties
who can read touch like that, who have broken into
a 200-year-old mansion, without permission,
to see from above where people like them go
after 377 has been read down only for those
who can stay behind closed doors — in the custody
of cheap hotels, or houses that welcome nights
with the sound of latches closing.