A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
In a country like India where both mental health and non-binary identities are topics that are neglected despite being essential parts of an individual’s identity, it can be quite challenging to navigate through issues regarding the same. Accessibility to affordable and quality mental health services is a serious difficulty that the queer Indian population faces.
Queer cafés are not exempt from the fast changing landscape of Indian metropolitan areas and offer both inclusion as well as exclusion from the promise of a queer utopia.
Raising your head shyly, you stumble over your words as you ask if you can marry a woman instead. Instantly, your lungs seem to fill with a tsunami of panic, as you witness his usually warm eyes crackle – the first grey clouds of a storm saturating the brown hue of his eyeballs.
My mother and I have both made certain choices, sometimes inconvenient for me, sometimes difficult for her, but those choices have revealed to me the strength of our relationship and alternative possibilities that she and I can imagine together.