A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Companions take many forms. Using the word very loosely here, a companion is anyone the self is connected to, anywhere, at any point in time, from a family member, to a stranger on a train.
I’ve essentially thought of movement as a kind of freedom, but one that has the capacity to destabilise you in some way. My most creative moments are when I’m not moving, when I am in fact rooted and still.
There may already be another organisation in the community to share resources with but for community-led initiatives, a shared perspective on Safe, Inclusive, Sexuality-Affirming (SISA) spaces is also important. Sometimes when the shared perspective is not there, that becomes a challenge.
None of these characters is perfect but in their imperfections we can learn more about body positivity, gender sensitivity, privilege, consent, unconscious and implicit bias, sexuality, masculinity, their intersections with class, religion, race, age, and more.
While the idea of older adults and sex is a taboo in itself, the idea of older adults exploring their sexuality, by engaging in same-sex relationships, or by experimenting with the way the look, or by becoming more sexually active, causes even greater discomfort.
In our mid-month issue, we have the second part of the Shikha Aleya’s interview with six different people talking about aspects of sexuality and diversity from their own particular space of personal knowledge, as well as work, advocacy, art and activism across diverse fields.
I was focused on becoming the ‘perfect’ feminist, based on the stipulations of mainstream feminism. The result: a deeply narrow conception of feminism,and it would take years to unlearn the ‘black-and-white’ mentality and embrace intersectionality.
Diversity, I think, can be a deceptive word. On the surface it carries the promise of plurality and multiple possibilities. Yet, it is deployed in ways that simply reinscribe normative two-gender stereotypes and heteronormativity.
From my experiences, I find that diversity is not an end unto itself. Instead, it is a tool for reflection, a mirror that shows not only who we, and the society we live in, are in the present, but what we aspire to be in the future.
Comicbooks sell us the fantasy of larger-than-life superheroes, the victory of good over evil, the promise of fighting for a better, inclusive world. But alas, when it comes to the characters themselves, this very inclusivity is often nowhere to be found.
Accessibility begins with access, enabled or denied, to concepts and ideas. At the core, beyond the architecture of the real and virtual worlds, it is about the architecture of the ways in which this access is broadened, to not only accommodate, but to nurture, the myriad expressions of human minds and bodies.
The boisterous figure of Indo-Trinidadian chutney soca musician Denise “Saucy Wow” Belfon has ruffled the feathers of many an Indian-origin immigrant sentiment with her song ‘Looking for an Indian Man’.
But a few days before her historic Oscar win (for the first movie she’s ever been in!) Lupita accepted an award for Best Breakthrough Performance at the seventh annual Black Women in Hollywood Luncheon hosted by Essence magazine. It was there she delivered a speech on beauty that every little girl should hear.