A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
The larger question is, who gets to bring all of themselves to the workplace, and who is either not allowed, or feels scared, or is bullied for doing so?
Digital entanglements transcend bodies, time, geographical borders and boundaries, influencing – and perhaps fundamentally changing – the ways in which we understand, explore and express our sexuality.
Food unites, but as we are sadly witnessing, it also divides. What people eat and how they eat it is related in many ways to class, caste, purchasing power, and other factors of social currency and control.
Indian films have for long fed into as well as mirrored social and cultural practices. Many of them depict a woman as being restricted to the kitchen and serving delicacies during festivities.
For the last seven years, I have been working on a body of work titled Hotel Rooms themed around fluid male sexuality, mental health, queerness, and challenging deep-rooted societal gender binaries.
Body is born, as a collection of many parts, into the various collections of bodies. Different combinations or collections are projected onto various historical, spatial and temporal dimensions, out of our needs, desires and capabilities.
Cricket, football, hopscotch, whatever the game, we have all wanted to be included for the sheer joy not only of exercising body and mind but also of being part of a team, of being noticed and celebrated. Sports and athletics offer us a playground to explore and express parts of ourselves that may otherwise forever lie dormant.
The spotlight that the world’s biggest sporting event (arguably) has along with the inherent gender and sexuality bias in sport come together in how sportspersons and athletes are both perceived and perceive themselves in mainstream and social media.
Lack of women’s representation in policy-making institutions has allowed men, often with minimal understanding and empathy, to decide what women in sports can or cannot wear. As a result, these policies have ended up undermining women’s comfort as well as agency.
Society finds a million different ways to tell us that sports are not for women but why? In popular culture, it is mostly men who are shown to be excelling at sports. Athletic women are shown as out-of-place ‘tomboys’ and outcasts.
This reconciliation between Pallavi’s public (seemingly) heterosexual and closeted lesbian identities points to a distinctly Indian way of avoiding polarities through a new social arrangement where both identities are allowed the space to flourish.
If the workplace looked anything like our world, it would have 50% men and 50% women, 7% would have a college degree, 55% would have access to the internet, and only 70% would have access to a smartphone.