A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
There have been several recent examples of actors, movies and events being called out because of their lack of representation, like for the Oscars. With social media it is easier to create and distribute diverse art and also to voice the need for diversity. So it needs engagements and awareness in society. Change will happen once enough people demand that change.
Disabled people might not have many spaces where they can speak openly about their sexual experiences or even sexual curiosity. There is a heavy monitoring of disabled young people especially, and this can mean that exploration, which is often how many of us discover sexuality, can be limited. Moreover, since the experiences of disabled people are not seen in popular media such as films, we can (and probably do) imagine we will have the same or similar experiences as non-disabled people – which is often not possible.
The larger question is, who gets to bring all of themselves to the workplace, and who is either not allowed, or feels scared, or is bullied for doing so?
While pop culture will continue to exist in the mainstream, it also provides us the scope to create alternative narratives and/ or counter-narratives that question, challenge and unpack the existing stereotypes and norms.
Both sexuality and disability are complex terrains, offering a realm of possibilities that are often made unnecessarily complicated and unattainable by the mental maps we draw of them and the artificial barriers we erect.
Cricket, football, hopscotch, whatever the game, we have all wanted to be included for the sheer joy not only of exercising body and mind but also of being part of a team, of being noticed and celebrated. Sports and athletics offer us a playground to explore and express parts of ourselves that may otherwise forever lie dormant.
Food unites, but as we are sadly witnessing, it also divides. What people eat and how they eat it is related in many ways to class, caste, purchasing power, and other factors of social currency and control.
Digital entanglements transcend bodies, time, geographical borders and boundaries, influencing – and perhaps fundamentally changing – the ways in which we understand, explore and express our sexuality.
In the spirit of the Games, I watched the Netflix film Rising Phoenix which documents the history of the Paralympics and its impact on the world in making visible the topic of disability. It also tracks the personal and professional journey of some of the top Paralympic athletes who share their challenges, frustrations and motivations.
Indian films have for long fed into as well as mirrored social and cultural practices. Many of them depict a woman as being restricted to the kitchen and serving delicacies during festivities.
I cannot let anyone see the stretch marks, the cellulite, the saggy breasts. I cannot reveal my hideous body. I feel anxiety well up inside me even as I visualise this eventuality. I read about ten ways for a fat person to have meaningful sex. I learn that throwing a cloth over the bedside lamp will help hide my flaws.
Comicbooks sell us the fantasy of larger-than-life superheroes, the victory of good over evil, the promise of fighting for a better, inclusive world. But alas, when it comes to the characters themselves, this very inclusivity is often nowhere to be found.
Everyday Feminism’s comic illustrates the complexity and diversity of sexuality, revealing how sex can sometimes be pleasure-affirming and sometimes not, and asks us to talk about ALL KINDS of sex – the good, the bad, and the hilarious.
For the last seven years, I have been working on a body of work titled Hotel Rooms themed around fluid male sexuality, mental health, queerness, and challenging deep-rooted societal gender binaries.
Body is born, as a collection of many parts, into the various collections of bodies. Different combinations or collections are projected onto various historical, spatial and temporal dimensions, out of our needs, desires and capabilities.