A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
मर्दानगी के निर्माण में शर्मिंदगी की भूमिका, और नायक के खुद के विकास के लिए आत्मविश्वास और क्षमता पर इसका प्रभाव, विशेष रूप से उनके प्रारंभिक वर्षों में, खूबसूरती से सामने लाया गया है।
समय के साथ-साथ अब मैं जान चुकी हूँ कि उनके इस उलाहने में ‘घर’ का मतलब सिर्फ वो जगह नहीं है जहां मेरे माता-पिता रहते हैं, बल्कि इसका मतलब उन सभी व्यवहारों और मान्यताओं से है जिनकी अक्सर माता-पिता अपने बच्चों से उम्मीद करते हैं।
Allred’s story is important because it shows us how an individual used her knowledge, power, and position to challenge the legal system in demanding rights and equality, especially for women and LGBTQ+ people.
Through its vivid and raw depictions of socio-cultural life in rural Karnataka, the author, Vasudhendra, a key voice in contemporary Kannada literature, brings forth his identity in all its intersecting dimensions, through the inclusion of class, caste, religion, gender, rural-urban location, education and language.
The first sensations that we experience are related to and derived from our body. It is a site of experience, expression and contemplation. The body is a means of voicing our deepest realisations, but how others visualise it can be a source of intense pain.
This exhibition covered themes such as gender roles and division of labour, migration and belonging, disability and queerness, and the lived experiences of women artists.
Rama and Sita are no longer placeholders for chastity and virtue, but are human and they make excessive demands on each other, they are callous and take each other for granted all the time.
I believe that such mini-series as “Unbelievable” will help people have a better understanding of what women go through when they experience a horrific incident like rape or sexual assault.
A woman can be more than something that just exists in a marital home, a woman can be more than just a beautiful body used as a mere decoration in the household. Isn’t it high time we talked about the problems of the terminology used to define beauty and the association of it with sexuality if Chughtai tried doing this in 1941?