A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Dilli ki Galiyaan therefore offers us a broader canvas for our desires, than the one afforded by the clear cut binaries of our current debates. The text shows that there will be masculinities that we urgently need to discourage; while men who do not encourage us will continue to exist.
With access to private spaces taken away on account of the pandemic, suddenly couples from liberal and affluent backgrounds found themselves in the same position as couples from less privileged backgrounds – desperately looking for pockets of privacy.
Lots of things, people, and moments have possibilities for stirring the erotic within us. The bible, the dictionary or the stories on nifty.org may become pre-texts to something new within ourselves and others.
The film has all the makings and trimmings of a commercial thriller – a dynamic story, song and dance, an action-packed climax – and at the same time, it is a cinephile’s film.
The meetings with Nakul had made me feel interminably uneasy and awfully awkward. It was like going on a date knowing that your choice would be for life, it was more pressure on the heart than I had ever imagined.
Maraa means ‘tree’ in Kannada and it is the nature of a tree that we wish to embody, with strong roots, branches in different directions, growing tall but also wilting, dying and beginning again.
An analysis of billions of hits to PornHub (one of the largest online porn sites in the world) shows that m/m is consistently the second most popular category for women visitors, and that women make up 37% of m/m porn viewers – suggesting that women represent viable secondary consumers of this type of porn.
Māyā Mridanga infinitely problematises the nature vs. nurture debate that is central to sexuality studies. The novel seems to suggest that a certain kind of male body – feminine, smooth, shapely – is the ideal raw material for making a chhokra out of a biological man. Ustaad Jhaksa, whose life the novel documents[2], repeatedly emphasises on this act of nurturing, moulding and pruning of a feminine male body for which he has fatherly affection as well as a lover’s lust.