A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
My politics demanded an alignment with my life, and as my personal life choices were almost always against the norms of society, this was the default option. As one moved away and tried to make communities of choice, however, there were newer lessons to be learnt.
Will I write openly about what is or is not done, what is or is not meaningful when it comes to sexuality? Yes. Will I talk about BDSM and kink as a way of life, despite it being taboo for discussion? Yes, I will talk about BDSM and kink, and many other things as well, but I will not evangelise for them.
As shocking as his request for a nude was, what confused me even more was why would he want nudes from me, a woman who hated her body? Would he appreciate these saggy breasts with their stretch marks? My ever growing thighs and my belly which has body hair on it, wouldn’t he think I’m ugly?
Choices about life, relationships and desires are all defined based on socio-economic background, caste, class, gender and sexuality. When these young girls found a comfortable and safe space, they openly talked about their desires and experiences and how they negotiated their existing environments in order to pursue their desires.
In unpacking class as a social category through the lens of young people accessing SRHR content via an infoline it is possible to conclude that broader reach of sexuality content does enable those who are otherwise limited by material and structural constraints to develop a more expansive and informed worldview about sexuality
We need to claim our spirituality differently and imaginatively. There are many paths to god. For some it might be religion, or science, or sex, or love, or meditation, or art.
A part of me is strong, independent, and quick to dismiss all kinds of uniformity. The other part is bashful, fearful, and somewhat assenting to a vast compromise.
Reviewing three films (or the subplots of three films) to see how subplots show that marriage isn’t a destination or a single story that begins and ends in the ‘happily ever after’.
Consent, however, is not so straightforward in the digital world. With instances where data can be hacked into, and with deep fake technologies making it more difficult to distinguish between what is real and what is fake, we have a situation where it is difficult to completely anticipate the kinds of risks involved, and the ways in which sexually explicit material is used.