Sexuality
From Blissful Ignorance to Unlearning Inequality
As individuals who are now privileged enough to address issues concerning mental and emotional health as compared to our parents and the generations before them, it is still quite disturbing to observe emotional/ psychological violence happening to women at different levels.
By Aditi Mishra
March 18, 2024
Joyland – Gazing Back Through the Lens of Desire
Directed by Saim Sadiq, Joyland (2022) is not a film about trans rights or women’s rights. It is not even about one specific group or community of people. It is about the whole spectrum of human emotions.
By Trijita
March 18, 2024
TARSHI at the Movies!
We decided to watch Animal and OMG 2 and found that both the movies bring up many of the issues that we work on.
By TARSHI
March 18, 2024
Subversive Humour and Socio-Sexual Politics: Women’s Gaari Geet
The ambivalent character of the Gaali allows it to both express as well as contain antagonisms and repressed emotions in a non-threatening manner and humour is pivotal to this process.
By Vishal Ranjan
“They’re shoe shoes, silly!” A Hip-hop Journey into Queerness
In my rap lyrics, I try to focus on the undercurrents of resilience, hope, and the unwavering spirit of resistance in the face of struggles.
By Chandan Jyoti Konwar
Identity’s Dance
From silver screens to pages penned,
Our identities explored, where journeys never end.
By Shruti Sharma
March 18, 2024
Quick Bytes with Vikramjeet Sinha
Quick Bytes is based on short responses to cue questions that we ask those who agree to participate in this micro feature.
By Vikramjeet Sinha
March 18, 2024
Video: Meet The Woman Helping Bollywood Have Better Sex
Aastha Khanna is India’s first intimacy coordinator who is making sure that a film’s vision is realised without flouting anyone’s boundaries, or leading to general awkwardness on set, especially when it comes to intimate scenes.
By TARSHI
March 18, 2024
रेख़्ती – मर्दों द्वारा बोली गई औरतों की भाषा
उर्दू शायरी की एक पूरी शैली है, ‘रेख़्ती’, जो औरतों के नज़रिये से लिखी गई है और जिसमें औरतों की ज़िंदगी और भावनाओं की बात होती है। ये ‘रेख़्ता’ का उल्टा है, जो कि मर्द के नज़रिये से लिखा गया साहित्य है।
By Syed Saad Ahmad
March 18, 2024
Interview – Prarthana Prasad
Entertainment should aim to inspire, comfort, reflect and express. Even if something violent earns big at the box office, it doesn’t justify its creation.
By Shikha Aleya
February 15, 2024
Nishit Saran: The Pioneering Indian Queer Filmmaker The World Forgot
While Nishit Saran’s iconoclasm loomed large in his lifetime, his oeuvre as a pioneering queer filmmaker and activist seems to have been largely obliterated.
By Parth Pant
February 15, 2024
Katha(k)ar
The governing eyes throughout history have dictated the acceptable forms of the performance of sex.
By Ayushi Dubey
February 15, 2024
Beyond Romance: A-Spec Identities in Heartstopper
The assumption that everyone experiences love and attraction in a similar manner is deeply alienating and harmful for the a-spec community.
By Aashi Singh
February 15, 2024
The Paradox of Social Media
I have been working in the field of sexuality for some years but it was an Instagram post that got me to take the HPV vaccine seriously.
By Nidhi Chaudhary
February 15, 2024
‘कभी वर्ग कभी जेंडर’ – अमेरिका में मानवशास्त्र की क्लास में फ़िल्म कभी ख़ुशी कभी ग़म का विश्लेषण
एक मानवशास्त्रीय दृष्टिकोण से बॉलीवुड की फ़िल्मों में वर्ग और जेंडर के मुद्दों के चित्रण पर ग़ौर करना केथ्रीजी जैसी फ़िल्मों पर नई आलोचनाओं को बढ़ावा देता है।
By Jessica Chandras