A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
और एक बार फिर यहाँ कार्निवाल को सफलता मिलती है। सबसे पहले ही एपिसोड में, ‘सामान्य’ नायक बेन, जो टेंट लगा कर अपनी मज़दूरी कमाते हैं, पहली बार छिपकली मानव गेको से टकराते हैं। गेको को त्वचा रोग है जिसके कारण पूरे शरीर में उनकी त्वचा पर मोटी, हीरे के आकार की, फीकी पपड़ी सी बन जाती है। इसके अलावा, उनकी कड़े बालों की पूँछ है।
There is someone in my life who had a terrible childhood, has had several liaisons and whose father married twice. He says that he hated his father. How would his father react to his son’s liaisons if he were alive? If I love a cyborg or a person of the same gender, how will my father react?
Class is a very important factor if you want to associate with “smart” company. Your looks, your fashion sense, your taste in music, your knowledge about international issues and celebrity gossip become very important to belong to “that” bunch of people.
Invitation cards had been printed. Her parents wanted to get the best of everything for her. She knew that all this generosity came more out of them trying to put up appearances than out of their love for her. Instead of trying to make sense of it all, or to reason with them, she was told to just enjoy this special life event. Once the whole family had arrived, all of her father’s financial worries and her mother’s emotional ones got drowned in the festivities that took place each night. The bright strings of lights flickered all around the house, announcing the upcoming marriage to the world.
Through our discomfort, shame, and often stubborn refusal to rise above heteronormativity, we unpacked a lot of these negative emotions by critically analysing texts that were neither the Kamasutra nor discourses such as Foucault’s on sexuality.
There is no singular way of being queer or performing queerness. We are all products of converging and diverging histories and our queerness is shaped by forces tangible and intangible in the everyday.
Many among us are called names, are greeted with aggressive taunts and jeers on the very streets we boldly occupy at least once every year,so we go on living docilely until the next Pride, when performative reclamation of spaces becomes possible.
All these works have made me acutely aware of how gender, sexuality, and religion, are so deeply intertwined in the social fabric. Also, how conditioning can significantly influence one’s understanding of literature, or the lack of it.
Every year we participate in an international campaign known as “The 16 Days Campaign” which runs from 25 November (International Day for the Elimination of Violence against Women) to 10 December (Human Rights Day). It is an organising strategy by individuals and organisations around the world to call for the prevention and elimination of violence against women and girls.
Abortion and sex work share the distinction of being topics on which even feminist activists sometimes find it difficult to remain non-judgmental, confronting feminists with the question: to what lengths are we really willing to go to respect and enable women’s choices and bodily autonomy?
But here is the thing. In heterosexual relationships, how are women and men going to learn to see women’s desires if the world does not see them? If the world is shaped to conform to a certain type of man’s desires only? Where is consent without a diversity of desires and a galaxy of desirability?
The Half of It is beautiful because it brings out the insecurities of teenagers who want to fit in with the world around them and are confused about their feelings which might be the diametrical opposite of what is socially expected.