Theatre
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
Jeeja Ghosh is a disability rights researcher and activist, feminist, parent, writer, scholar and trainer. Her lived experience of disability, and of standing up against discrimination and injustice, is at the core of her work and insights. Shikha Aleya interviews Jeeja about mobility across divides other than the physical.
Every contemporary debate, from homophobia and intolerance, finds an echo in the Rajasthani writer’s stories. Vijaydan Detha’s Dohri Zindagi starts…
Some propositions: Nothing ‘activates’ like art. (I’ll speak here of theatre). It can touch, stir the senses, the head, the…
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.