A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Everyone talks about how nobody can put a price on how much homemakers do for us, but nobody talks about the kind of behaviour they are subjected to almost every day.
Continuing with our theme of self-care being about sustaining ourselves, our work, our movements, keeping the fires lit, and relating with love to ourselves, in our mid-month issue we bring you more articles looking at self-care from different perspectives – individual, queer, activist, collective, organisational, not necessarily separated, or in this order, of course.
My journal has many entries that are speculative and fantastic. Writing about the mundane leads me to question the way the world operates and from there I frog-leap into a world of ideas where I imagine a radically different way of being. In my journal, I imagine a politics of care, community, and compassion. I become grand, valuable, and unstoppable, even in a world where I am sometimes made to feel small.
Reviewing three films (or the subplots of three films) to see how subplots show that marriage isn’t a destination or a single story that begins and ends in the ‘happily ever after’.
The disruptions in sex work due to demonetisation were not merely about the cash crunch though. Probing deeper, the real problems were to do with a breakdown in the rituals of soliciting, and what it meant behaviourally for the women.
Just as capitalism has learned how to co-opt feminism into its model, it has done the same to ‘wellness’, so much so it has become an industry of its own. Mental wellbeing, no matter how necessary and important it is, remains a luxury with more than half of our country either unaware of available mental health resources or not in a position to even afford therapy.
Considering how sexuality was a running (and selling) theme in pulp fiction stories, and female sexuality was employed as a means to titillate and attract readers, the covers often reflected this.
Inspired to collect photographs of women spending time by themselves and for themselves after a conversation with her mother’s friend, Surabhi Yadav began the project, Women at Leisure.
The potential for art to connect people and to challenge thinking is continuously widening. Aarushi Jain, a 21-year-old artist from India, perfectly captures the societal expectations placed on women in her representation of the English alphabet.
This photo feature gives us a glimpse into the lives of women from around the world at their diverse places of work: “Teachers, farmers, businesswomen, politicians, mothers, law enforcers – women and girls contribute every day in many visible and invisible ways.”
Taboos in relation to female desire, sexuality and the body are often addressed in my work. My recent artistic interest focuses on rituals that are primarily centred on agricultural communities in Bengal that involve the veneration of fertility symbols and celebration of feminine sexuality.